Durga Puja - the ceremonial worship of the mother goddess, is one of the most important festivals of India. Apart from being a religious festival for the Hindus, it is also an occasion for reunion and rejuvenation, and a celebration of traditional culture and customs. While the rituals entails ten days of fast, feast and worship, the last four days - Saptami, Ashtami, Navami and Dashami - are celebrated with much gaiety and grandeur in India and abroad, especially in Bengal, where the ten-armed goddess riding the lion is worshipped with great passion and devotion.
The first grand worship of Goddess Durga in recorded history is said to have been celebrated in the late 1500s. Folklores say the landlords or zamindar of Dinajpur and Malda initiated the first Durga Puja in Bengal. According to another source, Raja Kangshanarayan of Taherpur or Bhabananda Mazumdar of Nadiya organized the first Sharadiya or Autumn Durga Puja in Bengal in the year 1606.
The origin of the community puja can be credited to the twelve friends of Guptipara in Hoogly, West Bengal, who collaborated and collected contributions from local residents to conduct the first community puja called the 'baro-yaari' puja or the 'twelve-pal' puja in 1790. The baro-yaari puja was brought to Kolkata in 1832 by Raja Harinath of Cossimbazar, who performed the Durga Puja at his ancestral home in Murshidabad from 1824 to 1831, notes Somendra Chandra Nandy in 'Durga Puja: A Rational Approach' published in The Statesman Festival, 1991.
"The baro-yaari puja gave way to the sarbajanin or community puja in and around 1910, when the Sanatan Dharmotsahini Sabha organized the first truly community puja in Baghbazar in Kolkata with full public contribution, public control and public participation. Now the dominant mode of Bengali Durga Puja is the 'public' version," write M. D. Muthukumaraswamy and Molly Kaushal in Folklore, Public Sphere, and Civil Society. The institution of the community Durga Puja in the 18th and the 19th century Bengal contributed vigorously to the development of Hindu Bengali culture.
There are two kinds of embellishments that are used on clay - sholar saaj and daker saaj. In the former, the pratima is traditionally decorated with the white core of the shola reed which grows within marshlands.
The huge temporary canopies - held by a framework of bamboo poles and draped with colorful fabric - that house the icons are called 'pandals'. Modern pandals are innovative, artistic and decorative at the same time, offering a visual spectacle for the numerous visitors who go 'pandal-hopping' during the four days of Durga Puja.
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